Why We Exist
The cultural and creative sector plays a vital role in UK society, in the forging and understanding of our identity and values. As part of the economy, it drives growth, creates jobs and generates valuable income for our communities. It can also transform lives, with arts, culture, heritage and other creative organisations doing important work to engage diverse audiences and promote personal, social and environmental wellbeing.
Despite this, the sector has faced significant challenges over the past decade, seeing unprecedented falls in public investment, a drop in corporate sponsorship for arts and culture and a more competitive philanthropic grant-giving environment. Organisations are under pressure to increase their earned income in order to survive, while their impact-driven programmes – essential to their missions – often run at a loss.
Figurative exists to address these challenges. For many years, members of our team have led efforts to support and transform the sector via a series of funding and innovation initiatives leading up to our establishment as an independent not-for-profit in 2024.
Our Origins
Nesta and Arts & Culture Finance (2015 onwards)
In 2014, Nesta – the UK’s innovation agency for social good – published The New Art of Finance report, looking at ways to bring new money into the sector and to make existing funding work harder. Among other innovations, the report proposed the use of social impact investment, which fills the space between purely commercial finance and grant subsidy, and considers the social return of an investment alongside the more traditional pursuit of financial return.
To test the idea, in 2015, Nesta joined forces with Arts Council England, Esmée Fairbairn Foundation and Bank of America Merrill Lynch to launch the Arts Impact Fund (AIF) pilot, providing unsecured loans of between £150,000–£600,000 to the sector. Over the course of its three-year investing period, the fund made over 20 investments across England and demonstrated how motivated repayable finance can be used to develop financial resilience and grow social impact.
In 2018, Arts & Culture Finance was formally established to manage and develop Nesta’s cultural initiatives. Building on the success of the AIF and responding to market research, the team launched the Cultural Impact Development Fund (CIDF) to provide £3.5m in small-scale repayable finance to socially driven arts and culture organisations working with the people and communities in greatest need. This was followed in 2020 by the Arts & Culture Impact Fund (ACIF), the world’s biggest impact investment fund for the creative arts, which brings together a mix of public, private and philanthropic investors – Arts Council England, the National Lottery Heritage Fund, Big Society Capital, Bank of America, the Esmée Fairbairn Foundation and Nesta. ACIF offers £18m impact investment for the UK’s arts, culture and heritage social enterprises, and is currently open to applications.
In addition to managing the three investment funds, Arts & Culture Finance developed pioneering innovation initiatives including the Digital R&D Fund for the Arts (2015-17), Digital Arts and Culture Accelerator (2017) and Amplified (2018) programmes, which supported cultural and creative organisations to test and scale ambitious digital ideas. They also pursued important research and collaboration projects, emerging as thought leaders in the world of cultural funding. In 2023, for example, they were commissioned by the UK’s Creative Industries Policy & Evidence Centre to produce the report, Impact Investing in the Cultural and Creative Sectors: Insights from an emerging field, which explores how impact investment can be a transformative tool for the CCS. At the same time, the team collaborated with Upstart Co-Lab in the USA and the Fundacion Compromiso in Argentina to launch the Creativity, Culture & Capital essay collection, which provides case studies of how impact capital is supporting innovation in the creative economy.
These and other projects allowed ACF to amass important data and insights into the potential – and limitations – of social impact investing in the CCS, and to emerge as a crucial player in the UK’s cultural ecosystem.